About 20 results for ‘Curtsey’
-
_-_The_Curtsey_(1898).jpg/200px-William-Adolphe_Bouguereau_(1825-1905)_-_The_Curtsey_(1898).jpg)
Curtsey
A curtsey (also spelled curtsy or courtesy) is a traditional gesture of greeting, in which a girl or woman bends her knees while bowing her head. It is the female equivalent of male bowing in Western cultures. Miss Manners characterizes its knee bend as deriving from a "traditional gesture of an inferior to a superior. " The word "curtsy" is a phonological change from "courtesy" known in linguistics as syncope. According to Desmond Morris, the motions involved in the curtsey and the bow were similar until the 17th century, and the gender differentiation between the actions developed afterwards. The earlier, combined version is still performed by Restoration comedy actors. In more formal variants of the curtsey, the girl/woman bends the knees outward (rather than straight ahead), often sweeping one foot behind her. She may also use her hands to hold her skirt out from her body. In Victorian era, when women wore floor-length, hooped skirts, they curtsied using the plié movement borrowed from second-position in classical ballet in which the knees are bent while the back is held straight. Both feet and knees point out so the torso lowers straight down. This way, the lady lowers herself evenly, not to one side. Traditionally, women and girls curtsey for those of senior social rank just as men and boys bow. Today this practice has become less common. In European cultures it is traditional for women to curtsey in front of royalty. It may then be referred to as a court curtsey and is often especially deep and elaborate. Further, some female domestic workers curtsey for their employers. Female dancers often curtsey at the end of a performance to show gratitude or acknowledge any applause from the audience. At the end of a ballet class, students will also curtsey or bow to the teacher and the pianist to show gratitude. According to Victorian dance etiquette, a woman curtseys before beginning a dance. Female Scottish highland dancers performing the national dances and the Irish Jig also curtsey as well (at both the beginning and end for the national dances and at the end for the Irish Jig). Some female ballroom dancers will curtsey to their partners before beginning the Viennese Waltz. It is custom for female figure skaters to curtsey at the end of their programs at figure skating competitions or shows. It is also acceptable in some cultures for the female to bow if wearing trousers. The "Texas Dip" is an extreme curtsey performed by a Texan debutante when formally introduced at the International Debutante Ball in the Waldorf-Astoria. The young woman slowly lowers her forehead to the floor by crossing her ankles, then bending her knees and sinking. The escort's hand is held during the dip. When the debutante's head nears the floor, she turns her head sideways, averting the risk of soiling her dress with lipstick.
-
A tout seigneur, tout honneur (titre inscrit)
-
- Portrayed subject:
- Curtsey
- Domestic worker
- Man
- Overcoat
-
- Date:
- 19th century
- 20th century
-
-
-
- Artist(s):
- Jean Auguste Dominique Ingres
Don Pedro de Tolède baisant l'épée d'Henri IV
-
- Portrayed subject:
- Ambassador
- Caryatid
- Curtsey
- Domestic worker
- Palace
- Respect
-
- Date:
- 19th century
-
-
-
-
- Artist(s):
- Antoine Coysevox
LA BRETAGNE OFFRANT A LOUIS XIV, LE PROJET DE SA STATUE E...
-
- Portrayed subject:
- Allegory
- Ambassador
- Anne of Brittany
- Bishop
- Brittany
- Carpet
- …
-
- Date:
- 17th century
-
-
-
- Artist(s):
- Pierre Mignard
La soumission du doge de Gènes (15 mai 1685)
-
- Portrayed subject:
- Curtsey
- Genoa
- Louis XIV of France
- Magistrate
-
- Date:
- 17th century
-
-
LE PETIT / POUCET (titre inscrit)
-
- Field(s):
- Ethnology
-
- Portrayed subject:
- Beard
- Belt (clothing)
- Boot
- Boy
- Child
- Crown (headgear)
- …
-
- Date:
- 20th century
-
-
-
- Artist(s):
- Théophile Steinlen
Foule inclinée devant un gros homme tenant un livre de pr...
-
- Field(s):
- Drawing
-
- Portrayed subject:
- Book
- Bookbinding
- Crowd
- Curtsey
-
- Date:
- 19th century
- 20th century
-
-
Saint François de Paule aux pieds du pape Sixte V
-
- Field(s):
- Drawing
-
- Portrayed subject:
- Curtsey
- Man
- Pope Sixtus V
-
- Date:
- 18th century
-
-
Michel Ange et Jules II
-
- Field(s):
- Painting
-
- Portrayed subject:
- Anger
- Bishop
- Cardinal (Catholicism)
- Curtsey
- Dominican Order
- Franciscan
- …
-
- Date:
- 19th century
-
-
-
-
Un grand seigneur et le Tasse (recto) ; Etude de canon (v...
-
- Field(s):
- Drawing
-
- Portrayed subject:
- Curtsey
- Man
- Palace
- Renaissance (disambiguation)
-
- Date:
- 19th century
-
-
-
- Artist(s):
- Johann Wilhelm Baur
Costumes des peuples de diverses nations
-
- Portrayed subject:
- Curtsey
- French people
- Man
- Poignard
- Sword
-
- Date:
- 17th century
-
-
-
- Artist(s):
- Johann Wilhelm Baur
Costumes des peuples de diverses nations
-
- Portrayed subject:
- Curtsey
- French people
- Man
- Poignard
- Sword
-
- Date:
- 17th century
-
